Dissident Veteran For Peace: Heinlein & Haldeman

Sunday, July 28, 2019

Heinlein & Haldeman

I finally got around to reading Starship Troopers (1959, 2006) by Robert A. Heinlein and The Forever War (1974, 2009) by Joe Haldeman this summer. Over the years I've heard and read a lot about the books.

I also watched Paul Verhoeven's film treatment of Starship Troopers (ST) not long after its 1997 theatrical debut. Regarding the film, I am in general agreement with Joseph Sale's take (which I've edited slightly below):

Paul Verhoeven's 1997 film, while a masterpiece in its own right, misses much of the nuance of the original novel. He makes Starship Troopers into a satire of fascist states, casting Aryan, white, blonde, beautiful people in the lead roles to further his point, and it works brilliantly, but the novel itself is not an advocate of fascism to begin with. Johnnie is not an Aryan, he is Filipino (Juan Rico is his real name), and the [Mobile Infantry] is made up of people from all over the world. In fact, Heinlein bizarrely presents us with one of the most utopian and unified visions of future human society I have ever read. The film also makes use of over-the-top violence to contrast with its propaganda-interludes, no doubt highlighting how the lies of the state juxtapose with the realities of war. This is intriguing, almost a reverse of the novel which flits between Johnnie’s excruciating mental and physical training, which make explicit the gravity of war on every level of understanding, and the action sequences, which it's undeniable Johnnie seems to enjoy. In the novel, the state is far more responsible than Johnnie is.

It's interesting that at least one key didactic point that Heinlein wrote into ST was more or less faithfully preserved in Verhoeven's film. In the book, Major Reid, an Officer Candidate School instructor in History and Moral Philosophy asserts:

To vote is to wield authority; it is the supreme authority from which all other authority derives—such as mine to make your lives miserable once a day. Force, if you will!—the franchise is force, naked and raw, the Power of the Rods and the Ax. Whether it is exerted by ten men or by ten billion, political authority is force.¹

Why did Verhoeven leave this (without the reference to the fasces) in the film? I suspect it is because he believed it furthered his case concerning the alleged fascism of Heinlein and/or ST. In fact, it is a profound truth that force and violence underlie voting and political power. Yes, even in representative democracies.

Why is it acceptable to coerce people simply because 51% of the voting population agrees that people should be punished for doing or not doing x, y, or z? In nearly all cases, criminal laws are never even put to voters, they are enacted by politicians viewed unfavorably by large segments of the population.

The case that is made in ST is that the truth about voting logically leads to the following solution:

Since sovereign franchise is the ultimate in human authority, we insure that all who wield it accept the ultimate in social responsibility—we require each person who wishes to exert control over the state to wager his own life—and lose it, if need be—to save the life of the state. The maximum responsibility a human can accept is thus equated to the ultimate authority a human can exert. Yin and yang, perfect and equal.²

Approached from a slightly different angle it seems to me quite reasonable to expect from those who would wield the coercive power of the state against others to demonstrate some tangible civic virtue, to have some literal skin in the game.

However, there is an unspoken corollary that I find even more appealing. That is, by reducing the coercive power of the state—if you're going to have a state at all—one can expand the franchise and lower the bar to participation. That is, a widespread franchise would be appropriate only where the state has little or no coercive power. Steps in this direction might be to abolish capital punishment and military conscription and then to progressively redistribute centralized authority downward.

(The most interesting take I've read of 'the voting problem' in ST is in Dan Thompson's account of a discussion he was involved in at a WorldCon in Baltimore. I've included a link to it below in the See also section.)

Recurrent accusations of Heinlein's alleged personal and literary fascism are well known. Despite the many problems I have with some of Heinlein's later political positions, I think the charge of fascism is an unfounded example of the scurrilous name-calling too common among political ideologues.

It's interesting that Haldeman and Heinlein were friends. Moreover, in 1999, Haldeman was asked "about the whole 'fascist' argument, that ST is a novel about fascism, etc.?" He responded: " 'Fascist' is too easy an epithet. My problem with ST is more complex than that." Haldeman also penned the introduction to the 2018 Folio Society edition of ST (I have not read it yet though I would like to).

It is almost a commonplace that ST is an inadvertently dystopian novel meant to present a (fascistic) utopian vision. By contrast, The Forever War (TFW) is often taken as "an anti-war classic" and a refutation of ST. However, Haldeman himself has said that although he did not pen a reply to it, he was influenced by Heinlein's book.

In any case, of the two books I find TFW to be markedly more dystopian than ST. If forced to choose between living in the sci-fi future world of ST or TFW I would unhesitatingly choose ST.

I do not subscribe to the view that every act or idea in a work of fiction is endorsed by the author. Yet, authors generally do not let acts and ideas to which they object go unchallenged. Moreover, Haldeman has stated the TFW is based on his own experiences in the Vietnam War and, as others have pointed out the main character's name (Mandella) is a near anagram of the author's surname. Haldeman earned a degree in physics before he was drafted as did Mandella.³ Mandella's lover and companion is Marygay Potter while Haldeman's wife's maiden name is Mary Gay Potter.

So, I think it's fair, in this case, to assume that TFW reflects, in no small part, the author's personal views at the time he wrote the book. And Haldeman leaves a number of objectionable things in TFW unchallenged. For instance, in Haldeman's fictional world women are integrated into the military by requiring them to be sexually "compliant and promiscuous by military custom (and law)".⁴

In TFW, several dubious ideas about war are also left unchallenged: War is good for the general economy, the war in TFW is mainly the fault of bellicose veterans, and once begun, "only continued because the two races were unable to communicate".⁵

In fact, economists have shown that wars and unnecessarily large peacetime military establishments are macroeconomically detrimental. Arguably, wars may sometimes be necessary but as the authors of Economic Consequences of War on the U.S. Economy concluded, "Regardless of the way a war is financed, the overall macroeconomic effect on the economy tends to be negative." Wars benefit those who supply the weapons, munitions, and other material used to wage war but everyone else loses, especially the human casualties which seldom, if ever, include war profiteers.

As for bellicose veterans starting wars, it is perhaps just as likely that veterans will oppose offensive wars. For instance, in the aftermath of WW I, the American Legion was founded in 1919 proclaiming that a "large standing army is uneconomic and un-American" and pursuing "National safety with freedom from militarism ..."

In its early years the Legion was a major actor on the international stage in a citizen-led peace movement. Among other things, it actively supported and endorsed the 1928 Kellogg-Briand Pact "condemn[ing] recourse to war for the solution of international controversies, and renounc[ing] it, as an instrument of national policy". Though largely ignored this treaty remains in force. While it has arguably drifted far away from it roots, the Legion, to this day, exists, in part, "to promote peace and good will on earth".

In any case, modern large scale wars are not initiated by a single individual or small group of people. One could argue that a veteran named Hitler started World War II but that war was set in motion by the outcome of World War I and Hitler could not have initiated it without the support of the German establishment and a large segment of the German population. Likewise, I am aware of no war in history that continued (or began) simply because of a miscommunication.

Sexual orientation in TFW is also problematic. Haldeman seems to see it as strongly dichotomous, culturally determined, and easily changed.⁶ In TFW, human sexual orientation collectively swings between extremes. Without going into further detail I am a bit troubled that Haldeman did not imagine a future where society was not so polarized in terms of sexuality.

Finally, Haldeman also tacitly endorse eugenics.⁷ His solution to ending war is to erase nearly all human diversity and individuality. At the end of TFW, most of "humanity" is comprised mainly of "clones of a single individual."⁸ In TFW, humanity's fate is to become something resembling the Bugs—with their "total communism"—in Heinlein's ST. ⁹

I'd like to hope that humanity will one day abandon war and I disagree with some of Heinlein's ideas. However, if the price of peace is a future like Haldeman imagines in TFW (and I don't think it is) then I would choose war in the ST-like world.

Notes:
1. ST, p. 193. Emphasis is in the original. All ST page references in this post are from the 2006 Ace trade paperback edition.
2. ST, p. 194. It is often asserted, mostly by those critical of Heinlein, that in the ST's Terran Federation the only way to earn the franchise is to serve in the military. Although Heinlein could have been clearer in ST on this subject there are several passages suggesting what is required is not necessarily military service (see pp. 32-33, 190-194). For an in-depth and fair discussion of this perennial controversy see "The Nature of "Federal Service" in Robert A. Heinlein's Starship Troopers" by James Gifford.
3. TFW, p. 7. All TFW page references in this post are from the 2009 Thomas Dunne Books paperback edition.
4. TFW, p. 45.
5. TFW, pp. 139, 261, 281.
6. TFW, pp. 118, 129, 189, 197, 260.
7. TFW, pp. 197, 260.
8. TFW, pp. 260-262.
9. TFW, p. 261; ST p. 194.

See also: